Keys: Z–/ S–' Q–O the keys 1–6 FX SCL ENV LFO EDIT GLO 7–= HOME SAVE ARP SEQ PLAY REC [ ] OCT− OCT+ ↑ ↓ SELECT · ← → ALGORITHM hold a button's key + other keys: its combos (SAVE + Z…) right-click or Shift-click a button: held until clicked again

Z–/ S–' keys F3–A♯4, Q–O B4–G5 · ALGORITHM (← →): the track Start here: scroll or drag the PRESETS knob to a PERC kit (SALSA DURA, PERREO 2004, BOMBA SICA…), press PLAY (-): its GROOVE plays. On a PERC track every key is a drum (Z KICK, X SNARE, C CLAP…, the hand drums from Q) EDIT (5): SOUND (PERC: KIT, TUNE, DECAY, HUMAN), (PERC: GROOVE: STYLE, PARTS, FILL, FEEL; FM: FM ALGO, FM OP,) again SOURCE (VA, FM, SAMPLE: the factory samples URCHIN, LEAVE, NIKOLAI, M-SOFT, PERC, WHEEL, PHYS, PHASE; LATCH; GLIDE: OFF, 10 MS .. 2.5 S), a PHASE track's LINE 2 (WAVE, DCW: SAME or its own; RING, NOISE), PHASE ENV (DCW ENV, DCW DECAY, PITCH ENV, PITCH DECAY) · hold SEL + OCT+ (2 + ]): the track's LATCH on / off ENV (3): ATTACK DECAY SUSTAIN RELEASE · FX (1): TAPE, GRAIN, DELAY, SPACE, MASTER (a filter over everything: CUTOFF, RESONANCE, TYPE, POSITION), DRIVE (AMOUNT, TYPE, TONE, MIX); hold FX + Z (F3): FREEZE, + G3 … F4: REV THROW, ECHO THROW, TAPE STOP, REVERSE, FILTER DOWN, FILTER UP, STUTTER (while held); + the black keys F#3 G#3 A#3 C#4 tapped: GENERATE on/off for T1–T4 (random notes of the scale); + D#4: MODE (DRIFT, PULSE, STORM), F#4 / G#4: its OCTAVE down / up, A#4: its RANGE (1–3 OCT), each for the track whose black key is held, or all four SEL (2): SCALE (the keys snap to it), again CHORD (TYPE, VOICING); hold SEL: the track's chord mode on / off ARP (9): MODE, RATE, OCTAVES, GATE; hold ARP: the track's arp on / off (it plays the keys held; LATCH: they stay) LFO (4): RATE, DEPTH, DESTINATION (PITCH, VOLUME, PAN, the source's knobs, REV, GRAIN), SHAPE GLO (6): SONG (SECTION, PATTERN, REPEATS, MODE; REC there: song record); hold GLO + white keys 1–4: mute T1–T4, 5–8: solo HOME (7): HOME (VOLUME, CUTOFF, RESONANCE, FX), MIXER 1 (six tiles: LEVEL, DELAY, REVERB, TAPE, GRAIN, DRIVE; SELECT picks one, KNOB 1 sets it), MIXER 2 (PAN, the track filter's TYPE LP / HP / BP and POS PRE / POST); hold: SYSTEM (COLOUR, MIDI CHANNEL, TUNE, SCREEN OFF), HOME again: SYSTEM 2 (MIDI LEARN, SEQ MIDI OUT, SAMPLES: RESTORE then OCT+ writes the four factory samples again, CLOCK), again: SYSTEM 3 (LATCH: FROM SOUND / ALWAYS OFF, VELOCITY: OFF / ON, a MIDI note's volume from how hard) SEQ (0): GRID, PATTERN SETTINGS · PLAY (-): start / stop · REC (=): record; held ~1 s: the track's pattern cleared · SELECT (↑ ↓): SEQ the step (SEQ held: STEPS), HOME the tempo · PRESETS: SEQ the tempo hold SEQ + white keys: CLEAR, RANDOM, SHIFT ←, SHIFT →, COPY, PASTE, DOUBLE, MUTATE · on SEQ's pages hold SEL + knobs: lock the step's sound (+ OCT−: clear) SAVE (8): SOUNDS, PROJECTS; OCT+ (]) does the ACTION, OCT− backs out; hold + white keys 1–4: recall slots A–D, 5–8: save A–D · EDIT held + OCT−/OCT+: undo/redo · PRESETS: the sounds by category (SEQ: the tempo) · the work saves itself when stopped drag or scroll a knob · right-click or Shift-click holds a button · MIDI in via Web MIDI, notes and CCs (pick the input above; the channel is set on the FM-1: hold HOME > SYSTEM > MIDI CHANNEL; no MIDI clock here) · CH filters one channel; to play the selected track from any channel, set MIDI CHANNEL to ALL > SEL, from one channel only to CH n > SEL